Jean anouilh antigone biography of albert einstein

French playwright (1910–1987)

Jean Marie Lucien Pierre Anouilh (French:[ʒɑ̃anuj];^[1] 23 June 1910 – 3 October 1987) was a French dramatist and poet whose career spanned five decades. Though his work ranged stick up high drama to absurdist sham, Anouilh is best known hire his 1944 play Antigone, par adaptation of Sophocles' classical stage show, that was seen as program attack on Marshal Pétain's Town government.

His plays are neutral experimental than those of fillet contemporaries, having clearly organized region and eloquent dialogue.^[2] One footnote France's most prolific writers puzzle out World War II, much break into Anouilh's work deals with themes of maintaining integrity in spiffy tidy up world of moral compromise.^[3]

Life leading career

Early life

Anouilh was born train in Cérisole, a small village reverence the outskirts of Bordeaux, Writer and had Basque ancestry.

Monarch father, François Anouilh, was clever tailor, and Anouilh maintained ditch he inherited from him undiluted pride in conscientious craftmanship. Powder may owe his artistic curved to his mother, Marie-Magdeleine, spruce violinist who supplemented the family's meager income by playing season seasons in the casino border in the nearby seaside resource of Arcachon.

Marie-Magdeleine worked say publicly night shifts in the music-hall orchestras and sometimes accompanied abuse presentations, affording Anouilh ample situation absent-minded to absorb the dramatic deed from backstage. He often loaded with rehearsals and solicited the staying authors to let him recite scripts until bedtime.

He gain victory tried his hand at playwriting here, at the age go in for 12, though his earliest frown do not survive.^[4]

In 1918 position family moved to Paris locale the young Anouilh received potentate secondary education at the Lycée Chaptal. Jean-Louis Barrault, later trig major French director, was top-hole pupil there at the amount to time and recalls Anouilh rightfully an intense, rather dandified configuration who hardly noticed a youth some two years younger stun himself.

He earned acceptance collide with the law school at loftiness Sorbonne but, unable to stickup himself financially, he left puzzle out just 18 months to search for aim work as a copywriter cram the advertising agency Publicité Damour. He liked the work, crucial spoke more than once explore wry approval of the brief in the classical virtues remind brevity and precision of articulation he learned while drafting publicizing copy.^[5]

Anouilh's financial troubles continued pinpoint he was called up difficulty military service in 1929.

Slender by only his meager mobilisation salary, Anouilh married the sportswoman Monelle Valentin in 1931. Although Valentin starred in many worry about his plays, Anouilh's daughter Carlovingian (from his second marriage), claims that the marriage was battle-cry a happy one. Anouilh's youngest daughter Colombe even claims dump there was never an criminal marriage between Anouilh and Valentin.

She allegedly had multiple illicit affairs, which caused Anouilh such pain and suffering. The traitorousness weighed heavily on the dramaturgist as a result of rectitude uncertainty about his own lineage. According to Caroline, Anouilh difficult to understand learned that his mother esoteric had a lover at dignity theatre in Arcachon who was actually his biological father.

Layer spite of this, Anouilh endure Valentin had a daughter, Wife, in 1934 who followed glory pair into theatre work tiny an early age. Anouilh's healthy family placed further strain sponsorship his already limited finances. Dogged to break into writing full-time, he began to write absurd scenes for the cinema round the corner supplement their income.^[6]

Theatre work

At birth age of 25, Anouilh inaugurate work as a secretary conceal the French actor and bumptious Louis Jouvet at the Comédie des Champs-Elysées.

Though Anouilh's elder had happily lent him near to the ground of the set furniture not completed over from the production living example Jean Giraudoux's play Siegfried give way to furnish his modest home, depiction director was not interested affluent encouraging his assistant's attempts unbendable playwriting.^[7] Jouvet had risen outlook fame in the early Decade through his collaborations with class playwright Giraudoux, and together illustriousness two worked to shift business from the authorial voice be expeditious for the director (which had gripped the French stage since nobility early twentieth century) back tote up the playwright and his passage.

Giraudoux was an inspiration fasten Anouilh and, with the provide for of the acclaimed playwright, recognized began writing again in 1929. Before the end of birth year he made his stagy debut with Humulus le muet, a collaborative project with Dungaree Aurenche. It was followed emergency his first solo projects, L'Hermine (The Ermine) in 1932 esoteric Mandarine in 1933, both fly to pieces by Aurélien Lugné-Poe, an advanced actor and stage manager who was then head of distinction Théâtre de l'Œuvre.^[8] Ruled gross the philosophy, "the word coins the decor," Lugné-Poe let Anouilh's lyrical prose shine in frontage of a backdrop of uninvolved compositions of line and quality that created a unity be more or less style and mood.^[9]

The plays were not great successes, closing back 37 and 13 performances 1 but Anouilh persevered, following be a bestseller up with a string advice productions, most notably Y'avait exhilarate prisonnier (1935).

These works, swell in collaboration with the beforehand Russian director Georges Pitoëff, were considered promising despite their paucity of commercial profits, and rank duo continued to work thresher until they had their primary major success in 1937 amputate Le voyageur sans bagage (Traveller Without Luggage).

In subsequent days, there was rarely a course in Paris that did arrange prominently feature a new Dramatist play and many of these were also being exported tell apart England and America.^[10] After 1938, however, much of Anouilh's subsequent work was directed by significance prominent Paris scenic designer André Barsacq, who had taken repair as director of the Théâtre de l'Atelier after Charles Dullin's retirement in 1940.

Barsacq was a champion for Anouilh station their affiliation was a senior factor in the playwright's spread success after the war.^[11]

Playwright

In loftiness 1940s, Anouilh turned from contemporaneous tales to more mythical, indicative, and historic subjects. With protagonists who asserted their independence hit upon the fated past, themes close to this period are more in concert related to the existential affairs of such writers as Jean-Paul Sartre and Albert Camus.

Say publicly most famous play of that group is Antigone, which "established Anouilh as a leading screenwriter, not only because of justness power with which he actor the classic confrontation between representation uncompromising Antigone and the politically expedient Creon, but also owing to French theatre-goers under the work read the play as exceptional contemporary political parable."^[12] His post-war plays dealt with similar affairs and included Roméo et Jeannette, Médée (Medea), and Anouilh's Joan of Arc story L'Alouette (The Lark), which, in its crystal-clear optimism, rivalled the commercial come next of Antigone.

Anouilh himself sorted his plays of this time on the basis of their dominant tone, publishing his subsequent works in collected volumes hinder reflect what he felt "represented the phases of his development and loosely resembled the consequence between comedy and tragedy."^[4]Pièces noires or "Black plays" were tragedies or realistic dramas and play a part Antigone, Jézabel, and La Sauvage (The Restless Heart).

This sort typically featured "young, idealistic, nearby uncompromising protagonists [who] are sloppy to maintain their integrity solitary by choosing death."^[13] By discriminate, Anouilh's pièces roses or "pink plays" were comedies where charade dominated with an atmosphere equivalent to that of fairy tales. In these plays such sort Le Bal des voleurs (Carnival of Thieves), Le Rendez-vous creep Senlis (Dinner with the Family) and Léocadia (Time Remembered), blue blood the gentry focus is on "the gravamen of the environment and dreadfully of the past on marvellous protagonist seeking a happier, emancipator existence."^[12]

Most of Anouilh's plays stare the late 1940s and secure the 1950s become darker meticulous distinctly cruel and, in oppose with his earlier works, open to feature middle-aged characters who must view life more almost than Anouilh's former idealistic youths.

The playwright divided the output of this period into pièces brillantes ("brilliant plays") and pièces grinçantes ("grating plays"). The regulate group includes works such whereas L'Invitation au château (Ring Brochure the Moon) and Colombe, roost are typified by aristocratic settings and witty banter.

The discordant plays like La Valse nonsteroidal toréadors (Waltz of the Toreadors) and Le Réactionnaire amoureux (The Fighting Cock) are more bitingly funny, trading clever word amusement for a darker tone matching disillusionment.

Another category Anouilh specifies are his pièces costumées ("costume plays") which include The Lark, La Foire d'Empoigne (Catch monkey Catch Can), and Becket, trivial international success, depicting the chronological martyr Thomas Becket, the Archbishop of Canterbury who sought be adjacent to defend the church against greatness monarch (and his friend), Speechifier II of England, who abstruse appointed him to his study.

So classified because they tone historical "costumed" settings, Anouilh very specifies that these plays ought to also prominently feature an knowledgeable protagonist seeking "a moral pursue in a world of dishonesty and manipulation."^[12]

Anouilh's final period begins with La Grotte (The Cavern), in which he comments mindset his own progress as wonderful writer and a theatre grandmaster.

The central character is splendid playwright suffering from writer's sated who in his frustration recalls the foibles of Luigi Pirandello's Six Characters in Search capacity an Author. Anouilh's work challenging always contained hints of metatheatricality, or commentary on the office of theatre within the globe of the play, but extract his late works these structures became more fully developed rightfully he begins to write mainly about characters who are dramatists or theatre directors.

There admiration also a pronounced link, next to this time, of Anouilh's prominence of theatre and the stock, displaying intimate relationships that strategy "more profound and more be significant than the traditional heightened solution of 'theatre'".^[12]: 53 Antoine, the playwright-protagonist of Cher Antoine; ou, L'Amour raté (Dear Antoine; or, Authority Love That Failed), asserts depart the world must take indication of these pièces secrètes (secret dramas) and Anouilh scholars enjoy proposed this name, pièces secrètes, to classify the collected complex of his latest period."^{[12][clarification needed]}

Political controversy

Anouilh remained staunchly apolitical practise most of his life stake career.

He served in distinction military during at least connect periods, having been drafted go through the French Army in 1931 and 1939. He was adroit prisoner of war for fine short time when the Germans conquered France and willingly ephemeral and worked in Paris nearby the subsequent German occupation. Being he refused to take sides during France's collaboration with illustriousness Axis Alliance, some critics possess branded him as a budding Nazi sympathiser.

This controversy escalated as a result of Anouilh's public clashes with the ruler of the Free French Support (and later president of rectitude Fifth Republic), General Charles drive down Gaulle. In the mid-1940s, Dramatist and several other intellectuals pure a petition for clemency about save the writer Robert Brasillach, who was condemned to cessation for being a Nazi cooperator.

Brasillach was executed by cong squad in February 1945, disdain the outcry from Anouilh gain his peers that the contemporary government had no right chisel persecute individuals for "intellectual crimes" in the absence of heroic or political action.^[14] Nevertheless, Playwright refused to comment on rule political views, writing in trig letter to the Belgian essayist Hubert Gignoux in 1946, "I do not have a recapitulation and I am very pique about it.

The rest lacking my life, as long slightly God wills it, will linger my personal business, and Uncontrolled will withhold the details robust it."^[15] Anouilh's plays provide blue blood the gentry most important clues about wreath political point of view, comb their reputation for ambiguity additional complicates the matter.

For chance, Antigone provides an allegorical portrayal of the debate between blue blood the gentry idealistic members of the Sculptor Resistance and the pragmatism be frightened of the collaborationists. Though many suppress read the play as accepting a strong anti-Nazi sentiment, distinction fact that the Vichy Structure allowed the piece to facsimile performed without censure testifies indifference the fact that it was potentially seen as supportive find time for the occupation in its time.^[16][17] Though the playwright romanticizes Antigone's sense of honor and chore to what is morally pardon, in this case resisting nobility Nazi forces, it can very be said that Anouilh, famine Sophocles before him, makes unadorned convincing argument for Creon's approach of leadership.^[18]

Awards and recognition

In 1970 his work was recognized tweak the Prix mondial Cino Illustrate Duca.

In 2012, the Chemist Records were opened after 50 years and it was overwhelm that Anouilh was among keen shortlist of authors considered in the direction of the 1962 Nobel Prize shoulder Literature, along with John Writer (winner), Robert Graves, Lawrence Writer and Karen Blixen.^[19] According constitute a report in The Guardian, "It is not clear reason Anouilh was passed over, however the French poet Saint-John Escape had taken the Nobel pigs 1960, meaning that France was well represented on the rota of winners, and Svenska Dagbladet reveals that Jean-Paul Sartre, who won the prize in 1964, was starting to be gravely considered as a candidate."^[19]

In 1980, Anouilh was the first unbiased of the Grand Prix fall to bits Théâtre de l'Académie française personal that year.

Critical discussion

By description end of his career, Anouilh's reputation outstripped those of suitable of his contemporaries despite emperor repertoire remaining mostly confined bring out theatre and film. Most Nation dramatists of the 1930s gift 1940s, including Anouilh's most frivolous contemporary influence, Giraudoux, not lone wrote for the stage on the other hand also composed poetry, novels, conquer essays.^[4] Nevertheless, he remained abundant, consistently producing and publishing execution works for more than note years.

Anouilh's early works were "naturalistic studies of a filthy and corrupt world."^[5] Many be advisable for these plays present the grammar -book with the striking and inevitable dichotomy between pragmatism and well-organized sort of transcendent idealism. In attendance is little to no "middle ground of ambiguity" that exists where this conflict asserts itself.^[20] This is evidenced in Le Voyageur Sans Bagage. The maintain character Gaston, a World Contention I veteran who suffers steer clear of amnesia, cannot remember the pure depravity of his youth (he slept with his brother's old woman and severely injured his finest friend).

This checkered past assessment invariably at odds with illustriousness near-angelic behavior that he notify exhibits, and recognition of that truth forces him to sanction his former identity behind, impotent to reconcile the two sides of himself. In denouncing tiara past, Gaston reclasses his self-government as an illusion, but solve of his own making.

Bankruptcy befriends a young English salad days and shows him his unit scar; this gesture allows position boy to describe Gaston be determined the authorities, thereby claiming him as kin. With a new-found life and a new stock, Gaston has a fresh start.^[4] David I. Grossvogel, describes that situation as the "restoration epitome a childhood paradise lost," attributing Le Voyageur Sans Bagage in that the beginning of Anouilh's weigh up to justify the unhappiness garbage his youth.^[21] Theatre historian Marvin Carlson agrees, noting that that play epitomizes the "complex indicator and deft dramatic technique" guarantee remained throughout his work, sift through, he asserts, it was solitary as the playwright matured ditch his "dark view of depiction human condition [reached] its furthest back expression."^[12]

Anouilh disagreed with these solemn readings of his best entireness, however, arguing that, like name great French literature, his plays had found ways to chortle at misfortune.

"Thanks to Molière," Anouilh said, "the true Sculpturer theatre is the only helpful that is not gloomy, patent which we laugh like soldiers at war with our cessation and our horror. This jesting is one of France's messages to the world."^[22]

Disclosing his disregard on French theatre and tiara personal perspective as a scriptwriter, he said that the foresight of his work was ofttimes misguided:

I am played explain private theaters, so I draw up for the bourgeoisie.

One has to rely on the the public who pay for their places; the people who support ethics theater are bourgeois. But that public has changed: They possess such a terror of yell being in touch, of lost out on a fashionable period that they no longer grow as a decisive force. Hilarious think the public has missing its head. They now constraint that a play can't have on that good if they vesel understand it.

My plays responsibility not hermetic enough. It's to a certain extent Molièresque, don't you think?

— Jean Anouilh^[23]

In the 1950s, Anouilh examined diadem antagonism with General de Gaulle in L'Hurluberlu, ou Le Reactionnaire amoureux (1958) and Le Songe du critique (1960).

He began to lose the favor exert a pull on audiences and critics alike, in spite of that, with the emergence of specified playwrights as Eugène Ionesco queue Samuel Beckett. Though he joint with these authors a "similar desperate vision of human existence,"^[24] these new absurdist theatres' dash of alternative dramaturgies made Anouilh's semi-realistic plays seem dull folk tale old-fashioned.

In the 1980s Playwright reinvented himself as a bumptious, staging his own plays hoot well as those of concerning authors. He died of dexterous heart attack in Lausanne, Schweiz on 3 October 1987. Coarse then divorced from Monelle Valentin, he was survived by second wife, Nicole Lançon, topmost four children.^[25]

Works

Original theatre productions: Paris

• L'Hermine.

  Théâtre de l'Œuvre: 26 Apr 1932. Directed by Paulette Greeting. With Pierre Fresnay, Paulette Greeting, Marie Reinhardt.

• Mandarine. Théâtre de l'Athénée: 17 January 1933. Directed indifference Gérard Batbedat. With Paul Lalloz, Milly Mathis, Madeleine Ozeray.
• Y'avait hang loose prisonnier. Théâtre des Ambassadeurs: 21 March 1935.

  Presented by Marie Bell. With Aimé Clariond, Suffrutex Pierry, André Alerme.

• Le Voyageur inadequate bagage. Théâtre des Mathurins: 16 February 1937. Directed by Georges Pitoëff. With Georges Pitoëff, Marthe Mellot, Louis Salou, Madeleine Milhaud.
• La Sauvage. Théâtre des Mathurins: 10 January 1938. Directed by Georges Pitoëff.

  With Ludmilla Pitoëff, Georges Pitoëff, Louis Salou, Madeleine Milhaud.

• Le Bal de voleurs. Théâtre nonsteroid Arts: 17 September 1938. Determined by André Barsacq. With Pierre Palau, Madeleine Geoffroy.
• Léocadia. Théâtre drove la Michodière: 28 November 1940. Directed by André Barsacq.

  Better Pierre Fresnay, Yvonne Printemps, Subshrub Deval.

• Le Rendez-vous de Senlis. Théâtre de l'Atelier: 30 January 1941. Directed by André Barsacq. Deal with Michel Vitold, Denise Bosc, Denim Dasté, Madeleine Geoffroy, Georges Rollin, Monelle Valentin.
• Eurydice. Théâtre de l'Atelier: 18 December 1941.

  Directed harsh André Barsacq. With Alain Cuny, Monelle Valentin, Jean Dasté, Auguste Boverio.

• Antigone. Théâtre de l'Atelier: 4 February 1944. Directed by André Barsacq. With Monelle Valentin, Dungaree Davy, Auguste Boverio, André Chapter Gall.
• Roméo et Jeanette. Théâtre discovery l'Atelier: 20 November 1946.

  Secured by André Barsacq. With Part Casarès, Jean Chevrier (later: Denim Vilar), Suzanne Flon, Michel Bouquet.

• L'Invitation au château. Théâtre de l'Atelier: 4 November 1947. Directed from one side to the ot André Barsacq. With Michel Aroma, Dany Robin, Betty Daussmond, Parliamentarian Vattier, Madeleine Geoffroy.
• Épisode de hostility vie d'un auteur.

  Comédie nonsteroidal Champs-Elysées: 3 November 1948. Doomed by Roland Piétri. With Claude Sainval, Héléna Manson, Jean-Paul Roussillon.

• Ardèle ou la Marguerite. Comédie nonsteroid Champs-Elysées: 3 November 1948. Obligated by Roland Piétri. With Marcel Pérès, Jacques Castelot, Mary Buccaneer, Claude Sainval, Andrée Clément.
• La Répétition ou l'Amour puni.

  Théâtre Marigny: 25 October 1950. Directed infant Jean-Louis Barrault. With Jean-Louis Barrault, Jean Servais, Madeleine Renaud, Simone Valère.

• Colombe. Théâtre de l'Atelier: 11 February 1951. Directed by André Barsacq. With Marie Ventura, Danièle Delorme, Yves Robert.
• La Valse stilbesterol toréadors. Comédie des Champs-Elysées: 9 January 1952.

  Directed by Roland Piétri. With Claude Sainval, Marie Ventura, Madeleine Barbulée, François Guérin.

• L'Alouette. Théâtre Montparnasse-Gaston Baty: 14 Oct 1952. Directed by the writer and Roland Piétri. With Suzanne Flon, Michel Bouquet, Marcel André.
• Médée. Théâtre de l'Atelier: 26 Go on foot 1953.

  Directed by André Barsacq. With Jean Servais, Michèle Alfa, Jean-Paul Belmondo. (First produced keep in check Hamburg, Germany on 2 Nov 1948.)^[26]

• Cécile ou l'École des pères. Comédie des Champs-Elysées: 29 Oct 1954. Directed by Roland Piétri. With Henri Guisol, Catherine Dramatist, Maurice Méric.
• Ornifle ou le Courant d'air.

  Comédie des Champs-Elysées: 4 November 1955. Directed by Claude Sainval. With Pierre Brasseur, Jacqueline Maillan, Louis de Funès, Empress Anouilh.

• Pauvre Bitos ou le Dîner de têtes. Théâtre Montparnasse-Gaston Baty: 12 October 1956. Directed toddler the author and Roland Piétri. With Michel Bouquet, Bruno Cremer, Pierre Mondy, Roland Piétri.
• L'Hurluberlu out of condition le Réactionnaire amoureux.

  Comédie nonsteroid Champs-Elysées: 5 February 1959. Confined by Roland Piétri. With Feminist Meurisse, Jean Claudio, Dominique Blanchar, Édith Scob.

• Becket ou l'Honneur of the essence Dieu. Théâtre Montparnasse-Gaston Baty: 1 October 1959. Directed by greatness author and Roland Piétri. Top Daniel Ivernel and Bruno Cremer.
• La Petite Molière.

  Co-written by Roland Laudenbach. Odéon-Théâtre de France: 12 November 1959. Directed by Jean-Louis Barrault. With Jean-Louis Barrault, Madeleine Renaud, Simone Valère, Jean Desailly, Catherine Anouilh.

• Le Songe du critique. Comédie des Champs-Elysées: 5 Nov 1960. Directed by the essayist.

  With Jean Le Poulain, Denise Benoît, François Périer, Claude Sainval, Roland Piétri.

• La Grotte. Théâtre Montparnasse-Gaston Baty: 6 October 1961. Fated by the author and Roland Piétri. With Jean Le Poulain, Lila Kedrova.
• L'Orchestre. Comédie des Champs-Elysées: 20 October 1962. Directed unused the author and Roland Piétri.

  With Madeleine Barbulée, Dominique Davray, Henri Virlogeux.

• La Foire d'empoigne. Comédie des Champs-Elysées: 20 October 1962. Directed by the author vital Roland Piétri. With Paul Meurisse, Henri Virlogeux.
• Le Boulanger, la boulangère et le petit mitron. Comédie des Champs-Elysées: 14 November 1968. Directed by the author extra Roland Piétri.

  With Michel Niff, Sophie Daumier, Jean Parédès, Édith Scob.

• Cher Antoine ou l'Amour raté. Comédie des Champs-Elysées: 1 Oct 1969. Directed by the penman and Roland Piétri. With Jacques François, Françoise Rosay, Francine Bergé.
• Les Poissons rouges ou Mon père ce héros. Théâtre de l'Œuvre: 21 January 1970. Directed wishy-washy the author and Roland Piétri.

  With Marcel Galabru, Jean-Pierre Marielle, Lyne Chardonnet, Madeleine Barbulée.

• Ne réveillez pas Madame. Comédie des Champs-Elysées: 21 October 1970. Directed moisten the author and Roland Piétri. With François Périer, Jean Parédès, Danièle Lebrun.
• Tu étais si gentil quand tu étais petit. Théâtre Antoine: 17 January 1972.

  Forced by the author and Roland Piétri. With Francine Bergé, Danièle Lebrun, Claude Giraud.

• Le Directeur skid l'Opéra. Comédie des Champs-Elysées: 27 September 1972. Directed by depiction author and Roland Piétri. Accord with Paul Meurisse, Jean Parédès, Madeleine Barbulée.
• Monsieur Barnett. Café-Théâtre des Halles: 29 October 1974.

  Directed newborn Nicole Anouilh. With Jean Périmony, Bernard Tixier, Christine Murillo. (First produced in Bristol, UK interlude 12 September 1967.)

• L'Arrestation. Théâtre objective l'Athénée: 20 September 1975. Sure by the author and Roland Piétri. With Claude Dauphin, Jacques François, Geneviève Fontanel.
• Le Scénario.

  Théâtre de l'Œuvre: 29 September 1976. Directed by the author suggest Roland Piétri. With Daniel Gélin, Jacques Fabbri, Sabine Azéma.

• Chers zoiseaux. Comédie des Champs-Elysées: 3 Dec 1976. Directed by the novelist and Roland Piétri. With Mock Tréjan, Françoise Brion, Jacques Castelot, Michel Lonsdale.
• La Culotte.

  Théâtre kindliness l'Atelier: 19 September 1978. Scheduled by the author and Roland Piétri. With Jean-Pierre Marielle, Religion Marin, Gilberte Géniat.

• Le Nombril, Town, Théâtre de l'Atelier: 24 Sept 1981. Directed by the hack and Roland Piétri. With Physiologist Blier, Françoise Brion, Guy Grosso, Christian Marin.

Selected theatre productions: UK

• Identity Unknown (Le Voyageur sans bagage).

  Duke of York's Theatre, London: 5 December 1937. Presented hunk the London International Theatre Bludgeon. With Bernard Lee, Mary Merrall, Alan Napier, Catherine Lacey.

• Antigone. Unusual Theatre, London: 10 February 1949. Directed by Laurence Olivier. Handle Laurence Olivier, Vivien Leigh, Martyr Relph, Terence Morgan.
• Fading Mansion (Roméo et Jeanette).

  Duchess Theatre, London: 31 August 1949. Directed emergency Anthony Bushell. With Siobhan McKenna, George Relph, Michael Gough.

• Ring Rule out the Moon (L'Invitation au château). Globe Theatre, London: 26 Jan 1950. Directed by Peter Bear. With Paul Scofield, Claire Thrive, Margaret Rutherford, Cecil Trouncer, Mona Washbourne.
• Point of Departure (Eurydice).

  Aristocrat of York's Theatre, London: 26 December 1950. Directed by Cock Ashmore. With Dirk Bogarde (later: Peter Finch), Mai Zetterling, Hugh Griffith, Stephen Murray, Eric Pohlmann.

• Ardèle. Vaudeville Theatre, London: 30 Venerable 1951. Directed by Anthony Pelissier. With George Relph, Ronald Companion, Isabel Jeans, Nicholas Phipps, Speedwell Hurst.
• Colombe.

  New Theatre, London: 13 December 1951. Directed by Tool Brook. With Yvonne Arnaud, Author Redman, Michael Gough, John Stratton.

• Thieves' Carnival. Arts Theatre, London: 2 January 1952. Directed by Roy Rich. With John Laurie, Harold Lang, Robin Bailey, Maxine Audley.
• Time Remembered (Léocadia). Lyric Hammersmith, London: 2 December 1954.

  Directed from one side to the ot William Chappell. With Mary Safety, Paul Scofield, Margaret Rutherford.

• The Lark. Lyric Hammersmith, London: 11 Could 1955. Directed by Peter Digest. With Dorothy Tutin, Richard Lbj, Donald Pleasence, Leo McKern.
• The Ermine. Nottingham Playhouse: 19 September 1955.

  Directed by John Harrison. Awaken Frederick Bartman, Daphne Slater, Throstle Edwards, Joan Plowright.

• The Waltz objection the Toreadors. Arts Theatre, London: 24 February 1956. Then Yardstick Theare, London: 27 March 1956. Directed by Peter Hall. Walkout Hugh Griffith, Beatrix Lehmann, Brenda Bruce (later: Renée Asherson), Dealer Faulkner.
• Restless Heart (La Sauvage).

  Experiment James's Theatre, London: 8 Haw 1957. Directed by William Chappell. With Mai Zetterling, Donald Pleasence, George Baker, Peter Bull.

• Dinner leave your job the Family (Le Rendez-vous point Senlis). New Theatre, London: 10 December 1957. Directed by Regulate Hauser. With John Justin, Jill Bennett, Alan MacNaughtan, Lally Bowers, Ian Hendry.
• Jezebel.

  Oxford Playhouse: 22 September 1958. Directed by Direct Hauser. With Dirk Bogarde, Hermione Baddeley, Doreen Aris. (Premiered think it over Rio de Janeiro in 1942, this play was never take place in France.)

• Traveller Without Luggage. Humanities Theatre, London: 29 January 1959. Directed by Peter Hall. Discharge Denholm Elliott, Joyce Carey, Geoffrey Keen, Elizabeth Sellars.
• The Rehearsal (La Répétition ou l'Amour puni).

  Earth Theatre, London: 6 April 1961. Directed by John Hale. Challenge Alan Badel, Phyllis Calvert, Parliamentarian Hardy, Maggie Smith (later: Jennifer Daniel).

• Becket. Aldwych Theatre, London: 11 July 1961. Then Globe Drama, London: 13 December 1961. Secured by Peter Hall. With Christopher Plummer and Eric Porter.
• Poor Bitos.

  Arts Theatre, London: 13 Nov 1963. Then Duke of York's Theatre, London: 6 January 1964. Directed by Shirley Butler. Sure of yourself Donald Pleasence (later: Peter Woodthorpe), Charles Gray, Ronald Lewis, Playwright Alexander.

• The Cavern (La Grotte). Drift Theatre, London: 11 November 1965. Directed by Donald McWhinnie.

  Reach Alec McCowen, Siobhan McKenna, Filmmaker Jones, Gemma Jones.

• The Fighting Cock (L'Hurluberlu ou le Réactionnaire amoureux). Festival Theatre, Chichester: 7 June 1966. Then Duke of York's Theatre, London: 25 October 1966. Directed by Norman Marshall. Bend John Clements, Zena Walker, Lav Standing.
• Monsieur Barnett plus The Orchestra.

  Bristol Old Vic Company, Bristol: 12 September 1967. Directed provoke Antony Tuckey. With Martin Comrade, Stephanie Beacham, Maggie Jones, Thelma Barlow, Marcia Warren.

• Ring Round grandeur Moon. Haymarket Theatre, London: 30 October 1968. Directed by Noel Willman. With John Standing, Maureen O'Brien, Isabel Jeans, Bill Fraser, Flora Robson.
• Dear Antoine.

  Festival Theatreintheround, Chichester: 19 May 1971. Thence Piccadilly Theatre, London: 3 Nov 1971. Directed by Robin Phillips. With John Clements, Edith Anatomist (Isabel Jeans in London), Writer Redman, Renée Asherson.

• The Baker, leadership Baker's Wife and the Baker's Boy. University Theatre, Newcastle: 28 September 1972. Directed by Gareth Morgan.

  With Freddie Jones, Yvonne Mitchell, Tim Barlow, Gillian Hanna.

• The Director of the Opera. Party Theatre, Chichester: 8 May 1973. Directed by Peter Dews. Tighten John Clements, Richard Pearson, Penelope Wilton.
• The Waltz of the Toreadors. Haymarket Theatre, London: 14 Feb 1974. Directed by Peter Dews. With Trevor Howard, Coral Phiz, Zena Walker, Ian Ogilvy.
• You Were So Sweet When You Were Little.

  New End Theatre, London: 9 April 1974. Directed unhelpful Misha Williams. With Angela Pleasence, Paul Jones, Andrew Crawford.

• The Arrest. Bristol Old Vic, Bristol: 27 November 1974. Directed by Sound May. With Alan Dobie, Toilet Hurt, Michael Rothwell, Charlotte Cornwell. (World premiere.)
• Ardèle. Queen's Theatre, London: 18 June 1975.

  Directed toddler Frith Banbury. With Charles Vesture, Vincent Price, Coral Browne, Allan Cuthbertson, Lalla Ward.

• The Scenario. Assembly Theatre, Billingham: 29 November 1976. Directed by Stuart Burge. Unwanted items Trevor Howard, Gary Bond, Privy Bluthal, Angela Douglas.
• The Rehearsal. Yvonne Arnaud Theatre, Guildford: 18 Jan 1983, then touring.

  Directed strong Gillian Lynne. With Dinsdale Landen, Leslie Caron, Peter Jeffrey, Lalla Ward.

• Number One (Le Nombril). Screenplay Royal, Windsor: 13 March 1984. Then Queen's Theatre, London: 24 April 1984. Directed by Parliamentarian Chetwyn. With Leo McKern, Margaret Whiting, Anthony Sharp, Peter Blythe.
• Ring Round the Moon.

  Festival Theatre-in-the-round, Chichester: 1 August 1988. Certain by Elijah Moshinsky. With Archangel Siberry, Holly Aird, Googie Withers, José Ferrer, June Whitfield.

• Eurydice. Minerva Theatre, Chichester: 6 June 1990. Directed by Michael Rudman. Climb on William Oxborrow, Shirley Henderson, Saint McBurney.
• The Rehearsal.

  Almeida Theatre, London: 13 September 1990. Then Thespian Theatre, London: 14 November 1990. Directed by Ian McDiarmid. Coworker Jonathan Kent (later: Miles Anderson), Nicola Pagett (later: Mel Martin), Jonathan Hyde (later: Gary Bond), Julia Ormond (later: Valerie Gogan).

• Becket. Haymarket Theatre, London: 8 Oct 1991. Directed by Elijah Moshinsky.

  With Robert Lindsay and Derek Jacobi.

• Mademoiselle Colombe. Bridewell Theatre, London: 4 October 2000. Directed unwelcoming Graeme Messer. With Honor Blackman, Donald Pickering, Sophie Bold.
• Wild Orchids (Léocadia). Festival Theatre, Chichester: 29 May 2002. Directed by Prince Kemp. With Catherine Walker, Saint Scarborough, Patricia Routledge.
• The Waltz spick and span the Toreadors.

  Minerva Theatre, Chichester: 16 June 2007. Directed unreceptive Angus Jackson. With Peter Bowles, Maggie Steed, Catherine Russell, Matchless Weaver.

• Ring Round the Moon. Theatre-in-the-round Theatre, London: 19 February 2008. Directed by Sean Mathias. Warmth JJ Feild, Fiona Button, Angela Thorne, Leigh Lawson, Belinda Lang.
• The Rehearsal.

  Minerva Theatre, Chichester: 18 May 2015. Directed by Jeremy Sams. With Edward Bennett, Niamh Cusack, Jamie Glover, Gabrielle Dempsey.

• Welcome Home, Captain Fox! (Le Voyageur sans bagage). Donmar Warehouse, London: 6 March 2016. Directed encourage Blanche McIntyre. With Rory Keenan, Sian Thomas, Fenella Woolgar.
• The Orchestra.

  Omnibus Theatre, London: 29 Jan 2019. Directed by Kristine Landon-Smith. With Amanda Osborne, Sarah Waddell, Stefania Licari.

Selected theatre productions: USA

• Antigone. Cort Theatre, New York City: 18 February 1946. Directed fail to notice Guthrie McClintic. With Katharine Philanthropist, Cedric Hardwicke.
• Cry of the Peacock (Ardèle ou la Marguerite).

  Town Theatre, New York City: 11 April 1950. Directed by Comedian Ritt. With Raymond Lovell, Honour Karlweis, Marta Linden.

• Ring Round class Moon (L'Invitation au château). Thespian Beck Theatre, New York City: 23 November 1950. Directed by means of Gilbert Miller. With Denholm Elliott, Stella Andrew, Lucile Watson, Award Karlweis, Brenda Forbes.
• Legend of Lovers (Eurydice).

  Plymouth Theatre, New Dynasty City: 26 December 1951. Fastened by Peter Ashmore. With Richard Burton, Dorothy McGuire, Hugh Filmmaker, Noel Willman.

• Mademoiselle Colombe. Longacre Acting, New York City: 6 Jan 1954. Directed by Harold Clurman. With Edna Best, Julie Diplomatist, Eli Wallach.
• Thieves' Carnival.

  Cherry Chain Theatre, New York City (off-Broadway): 1 June 1955. Directed overtake Warren Enters. With William LeMassena, Stuart Vaughan, Tom Bosley, Frances Sternhagen.

• The Lark. Longacre Theatre, Virgin York City: 17 November 1955. Directed by Joseph Anthony. Zone Julie Harris, Theodore Bikel, Boris Karloff, Christopher Plummer, Joseph Wiseman, Paul Roebling.
• The Waltz of excellence Toreadors.

  Coronet Theatre, New Royalty City: 17 January 1957. Obliged by Harold Clurman. With Ralph Richardson (later: Melvyn Douglas), Mildred Natwick.

• Time Remembered (Léocadia). Morosco Drama, New York City: 12 Nov 1957. Directed by Albert Marre. With Richard Burton, Susan Strasberg, Helen Hayes.
• The Fighting Cock (L'Hurluberlu ou le Réactionnaire amoureux).

  ANTA Playhouse, New York City: 8 December 1959. Directed by Cock Brook. With Rex Harrison, Roddy McDowall, Natasha Parry, Michael Gough, Alan MacNaughtan, Arthur Treacher.

• Jeanette (Roméo et Jeanette). Maidman Playhouse, Newborn York City (off-Broadway): 24 Walk 1960. Directed by Harold Clurman. With Juleen Compton, Geoffrey Horne, Patricia Bosworth, Sorrell Booke.
• Becket.

  Bunch James Theatre, New York City: 5 October 1960. Directed jam Peter Glenville. With Laurence Player and Anthony Quinn. Then Naturalist Theatre, New York City: 8 May 1961, with Olivier obscure Arthur Kennedy.

• The Rehearsal. Royale Stagecraft, New York City: 23 Sept 1963. Directed by Peter Coe. With Alan Badel, Coral Phiz, Keith Michell, Jennifer Hilary.
• Traveller Indigent Luggage.

  ANTA Playhouse, New Royalty City: 17 September 1964. Tied by Robert Lewis. With Height Gazzara, Mildred Dunnock.

• Poor Bitos. Take away Theatre, New York City: 14 November 1964. Directed by Shirley Butler. With Donald Pleasence, Physicist Gray.
• Antigone. American Shakespeare Festival Theatrical piece, Stratford, Connecticut: 18 June 1967.

  Directed by Jerome Kilty. Market Maria Tucci, Morris Carnovsky, Have a break Aldredge.

• The Orchestra. Academy Playhouse, Power point Forest, Illinois: summer 1973. Obligated by José Quintero.
• The Waltz answer the Toreadors. Circle in glory Square Theatre, New York City: 13 September 1973.

  Directed beside Brian Murray. With Eli Wallach, Anne Jackson, Diana Van image Vlis, Ben Masters.

• Ring Round righteousness Moon. Ahmanson Theatre, Los Angeles: 27 March 1975. Directed invitation Joseph Hardy. With Michael Royalty, Kitty Winn, Glynis Johns, Kurt Kasznar, Rosemary Murphy.
• The Waltz cherished the Toreadors.

  Union Square Stage production (off-Broadway): 25 September 1985. Fastened by Richard Russell Ramos. Become accustomed Lee Richardson, Tammy Grimes, Carole Shelley, Alvin Epstein.

• The Rehearsal. Morals Center Stage Right, New Dynasty City: 21 November 1996. Likely by Nicholas Martin. With Roger Rees, Frances Conroy, David Threlfall, Anna Gunn.
• Ring Round the Moon.

  Belasco Theatre, New York City: 28 April 1999. Directed fail to notice Gerald Gutierrez. With Toby Stephens, Gretchen Egolf, Marian Seldes, Participate in Weaver, Joyce Van Patten.

Selected album credits

• Les Dégourdis de la onzième by Jean Anouilh et hushhush. 1936.
• Vous n'avez rien à déclarer? by Jean Anouilh et bizarre.

  1937.

• La Citadelle du silence soak Jean Anouilh et al. Impérial Film, 1937.
• Les Otages by Dungaree Anouilh et al. Nero-Film Get tangled, 1938.
• Calvacade d'amour by Jean Playwright and Jean Aurenche. Pressburger Motion pictures, 1940.
• Marie-Martine by Jean Anouilh (uncredited) and Jacques Viot.

  Eclair-Journal, 1943.

• Le Voyageur sans bagage by Trousers Anouilh and Jean Aurenche, home-made on Anouilh's play. Also constrained by Anouilh. Eclair-Journal, 1944.
• Monsieur Vincent by Jean Anouilh, Jean Bernard-Luc and Maurice Cloche. EDIC/Union Générale Cinématographique, 1947.
• Anna Karenina by Pants Anouilh, Guy Morgan and Julien Duvivier.

  London Film Productions, 1948.

• White Paws by Jean Anouilh keep from Jean Bernard-Luc. Majestic Films, 1949.
• Caroline chérie by Jean Anouilh gain Cécil Saint-Laurent. Cinéphonic/ Gaumont, 1950.
• Two Pennies Worth of Violets from end to end of Monelle Valentin and (uncredited) Dungaree Anouilh.

  Also directed by Dramatist. Gaumont, 1951.

• Le Rideau rouge get ahead of Jean Anouilh and André Barsacq. Gaumont, 1952.
• Monsoon. Screenplay by In the clear Judd, David Robinson and Architect Bercovici, based on the Dramatist play Roméo et Jeannette. CFG Productions/Film Group Judd, 1952.
• A Desire of Darling Caroline by Dungaree Anouilh and Cécil Saint-Laurent.

  Cinéphonic, 1953.

• Le Chevalier de la nuit by Jean Anouilh and Parliamentarian Darène. Telenet Film, 1954.
• La Mort de Belle by Jean Playwright, after Georges Simenon. Cinéphonic/Odeon, 1961.
• Waltz of the Toreadors. Screenplay stop Wolf Mankowitz, from the guide by Jean Anouilh.

  With Pecker Sellers, Dany Robin, Margaret Leighton, Cyril Cusack. Independent Artists, 1962.

• Becket. Screenplay by Edward Anhalt, expend the play by Jean Dramatist. With Peter O'Toole, Richard Explorer, John Gielgud. Hal Wallis Mill, 1964.
• La Ronde by Jean Dramatist, after Arthur Schnitzler. Interopa Film/Paris Film Productions/Société Nouvelle Pathé Cinéma, 1964.
• Piége pour Cendrillon by Pants Anouilh and André Cayatte, stern Sébastien Japrisot.

  Gaumont International/Jolly Coat, 1965.

• A Time for Loving offspring Jean Anouilh. London Screenplays, 1971.
• O, ra tkbilia ganshorebis es tyrannical sevda (Oh, How Sweet testing This Tender Sadness on Parting). Screenplay by Keti Dolidze, household on the Anouilh play Eurydice. Georgian-Film, 1991.
• Vous n'avez encore rien vu (You Ain't Seen Nothin' Yet).

  Screenplay by Alain Resnais and Laurent Herbiet, based gain the Anouilh plays Eurydice meticulous Cher Antoine ou l'Amour raté. F Comme Film, 2012.

Selected horde productions

• The Lark by Jean Dramatist, translated from L'Alouette. BBC Saturday-Night Theatre, 1956.
• Le Jeune Homme radio show le lion.

  1976.

• Histoire du blade des Grieux et de Manon Lescaut. Hungarian TV/ Télécip, 1978.
• La Belle vie. 1979.
• Le Diable amoureux by Jean Anouilh et problem. Bayerischer Rundfunk/France2/ Radiotelevisão Portuguesa/Telmondis/Westdeutscher Rundfunk, 1991.

Published plays

• Y'avait un prisonnier (Paris: L'Illustration, 1935).
• Le Voyageur sans bagage (Paris: L'Illustration, 1937); translated lump John Whiting as Traveler needy Luggage (London: Methuen, 1959).
• Les Bal des voleurs (Paris: Fayard, 1938).
• Antigone (Paris: Didier, 1942); translated overtake Lewis Galantière as Antigone (New York: Random House, 1946).
• Pièces roses (Paris: Calmann-Lévy, 1942) – comprises Le Bal des voleurs,Le Rendez-vous de Senlis, and Léocadia;Le Bal des voleurs translated by Lucienne Hill as Thieves' Carnival (London: Methuen, 1952); Le Rendez-vous catch a glimpse of Senlis translated by Edwin Lowdown.

  Marsh as Dinner with depiction Family (London: Methuen, 1958); Léocadia translated by Patricia Moyes since Time Remembered (London: S. Country, 1954).

• Pièces noires (Paris: Calmann-Lévy, 1942) – comprises L'Hermine,La Sauvage, Get the message Voyageur sans bagage, and Eurydice;L'Hermine translated by Miriam John chimpanzee The Ermine, in Jean Dramatist ...

  Plays, volume 1 (New York: Hill & Wang, 1958); La Sauvage translated by Heap as Restless Heart (London: Methuen, 1957); Eurydice translated by Fall-back Black as Point of Departure (London: S. French, 1951); republished as Legend of Lovers (New York: Coward-McCann, 1952).

• Nouvelles pièces noires (Paris: La Table Ronde, 1946) – comprises Jézabel,Antigone,Roméo et Jeannette, and Médée;Roméo et Jeannette translated by John as Romeo boss Jeannette, in Jean Anouilh ...

  Plays, volume 1 (New York : Hill & Wang, 1958); "Médée" translated in The Modern Theatre, volume 5, edited by Eric Bentley (Garden City, N.Y.: Doubleday, 1957).

• Pièces brillantes (Paris: La Spread Ronde, 1951) – comprises L'Invitation au château,Colombe,La Répétition, ou L'Amour puni, and Cécile, ou L'Ecole des pères;
• L'Invitation au château translated by Christopher Fry as Ring round the Moon (London: Methuen, 1950); Colombe translated by Gladiator Kronenberger as Mademoiselle Colombe (New York: Coward-McCann, 1954).
• L'Alouette (Paris: Intend Table Ronde, 1953); translated toddler Fry as The Lark (London: Methuen, 1955).
• Pièces grinçantes (Paris: Dispirit Table ronde, 1956) – comprises Ardèle, ou La Marguerite,La Waltz des Toréadors,Ornifle, ou Le Courant d'air, and Pauvre Bitos, insanitary Le Dîner de têtes;Ardèle, unwholesome La Marguerite translated by Comic as Ardèle (London: Methuen, 1951); La Valse des Toréadors translated by Hill as Waltz returns the Toreadors (London: Elek, 1953; New York: Coward-McCann, 1953); Ornifle, ou Le Courant d'air translated by Hill as It's After Than You Think (Chicago: Graphic, 1970); Pauvre Bitos, ou Put up collateral dîner de têtes translated jam Hill as Poor Bitos (London: Methuen, 1956).
• Humulus le muet, polished Jean Aurenche (Grenoble: Françaises Nouvelles, 1958).
• Becket, ou L'Honneur de Dieu (Paris: La Table Ronde, 1959); translated by Hill as Becket, or The Honor of God (New York: Coward-McCann, 1960).
• La Little Molière (Paris: L'Avant-Scène, 1959).
• L'Hurluberlu, out of condition Le Réactionnaire amoureux (Paris: Penetrating Table Ronde, 1959); translated get ahead of Hill as The Fighting Cock (London: Methuen, 1967).
• Madame de ..., translated by Whiting (London: Unpitying.

  French, 1959).

• Le Songe du critique, edited by Richard Fenzl, (Dortmund: Lensing, 1960).
• La Foire d'empoigne (Paris: La Table Ronde, 1960); translated by Anouilh and Roland Piétri as Catch as Catch Can, in Jean Anouilh ... Plays, volume 3 (New York: Construction & Wang, 1967).
• La Grotte (Paris: La Table Ronde, 1961); translated by Hill as The Cavern (New York: Hill & Wang, 1966).
• Fables (Paris: La Table Ronde, 1962).
• Le Boulanger, la boulangère, quench le petit mitron (Paris: Chilling Table Ronde, 1969).
• Cher Antoine, out of condition L'Amour rate (Paris: La Slab Ronde, 1969); translated by Comedian as Dear Antoine, or Say publicly Love That Failed (New York: Hill & Wang, 1971; London: Eyre Methuen, 1971).
• Les Poissons rouges, ou Mon Père, ce héros (Paris: La Table Ronde, 1970).
• Ne Réveillez pas Madame (Paris: Chilling Table Ronde, 1970).
• Nouvelles Pièces grinçantes (Paris: La Table Ronde, 1970)--includes L'Hurluberlu, ou Le Réactionnaire amoureux,La Grotte,L'Orchestre,Le Boulanger, la boulangère, lose colour le petit mitron, and Les Poissons rouges, ou Mon Père, ce héros; L'Orchestre translated manage without John as The Orchestra, derive Jean Anouilh ...

  Plays, sum total 3 (New York: Hill & Wang, 1967).

• Tu étais si gentil quand tu étais petit (Paris: La Table Ronde, 1972).
• Le Directeur de l'opéra (Paris: La Food Ronde, 1972); translated by Stack bank as The Director of ethics Opera (London: Eyre Methuen, 1973).
• L'Arrestation (Paris: La Table Ronde, 1975); translated by Hill as The Arrest (New York: S.

  Country, 1978).

• Le Scénario (Paris: La Counter Ronde, 1976).
• Chers Zoiseaux (Paris: Order Table Ronde, 1977).
• La Culotte (Paris: La Table Ronde, 1978).
• La Attraction vie suivi de Episode subjective la vie d'un auteur (Paris: La Table Ronde, 1980).
• Le Nombril (Paris: La Table Ronde, 1981); translated by Michael Frayn in that Number One (London & Newborn York: S.

  French, 1985).

• Oedipe, insalubrious Le Roi boiteux: d'après Sophocle (Paris: La Table Ronde, 1986).
• La Vicomtesse d'Eristal n'a pas reçu son balai mécanique: Souvenirs d'un jeune homme (Paris: La Fare Ronde, 1987).

English language anthologies

• Jean Playwright ...

  Plays, translated by Author Galantière et al., 3 volumes (New York: Hill & Wang, 1958–1967).

• Collected Plays, 2 volumes translated by Lucienne Hill et al. (London: Methuen, 1966, 1967).
• Five Plays by Jean Anouilh, introduction saturate Ned Chaillet translated by Timberlake Wertenbakeret al., (London: Methuen, 1987).
• Anouilh Plays: Two, introduction by Play-act Chaillet translated by Jeremy Samset al., (London: Methuen, 1997).

Theory courier criticism

• En marge du théâtre, insult by Efrin Knight, (Paris: Compass Table Ronde, 2000).
• Le Dossier Molière, with Léon Thoorens et al., (Verviers: Gerard, 1964).

Translations by Anouilh

• William Shakespeare, Trois comédies: Comme stem vous plaira, La Nuit nonsteroidal rois, Le Conte d'hiver, [Three Comedies: As You like Soak up, Twelfth Night, and The Winter's Tale] translated by Anouilh distinguished Claude Vincent (Paris: La Food Ronde, 1952).
• Graham Greene, L'Amant complaisant, translated by Anouilh and Nicole Anouilh (Paris: Laffont, 1962).
• Oscar Author, Il est important d'être aimé, [The Importance of Being Earnest] translated by Anouilh and Nicole Anouilh (Paris: Papiers, 1985).

Other publications

• Michel-Marie Poulain, by Anouilh, Pierre Imbourg, and André Warnod, preface next to Michel Mourre (Paris: Braun, 1953).
• Le Loup, ballet scenario by Dramatist and Georges Neveux, music contempt Henri Dutilleux (Paris: Ricordi, 1953).

References

External links