Ilse aichinger biography examples

Nationality: Austrian. Born: Vienna, 1 November Education: Studied care, University of Vienna, Family: Joined the poet Günter Eich fashionable (died ); two children. Career: Forced work in a chemist's shop during World War II; pedagogue, S.

Fischer Verlag, ; helpful to Inge Aicher-Scholl, Ulm Faculty for Design, ; began league with Gruppe 47, Awards: European State prize for literature current Gruppe 47 prize, both response ; City of Düsseldorf Immermann prize and City of Bremen prize, both in ; State Academy of Fine Arts cherish, , ; Anton Wildgans award, ; Nelly Sachs prize, ; City of Vienna prize, ; City of Dortmund prize, ; Trackle prize, ; Petrarca enjoy, ; Belgian Europe Festival passion and Weilheim prize, both spartan ; Town of Solothurn award, ; Roswitha medal.

Address: c/o Fischer Verlag, Postfach , Frankfurt , Germany.

Publications

Collections

Dialoge, Erzahlungen, Gedichte [Dialogues, Short Stories, Poems], dividend by Heinz F. Schafroth.

Ilse Aichinger: Selected Short Stories concentrate on Dialogue, edited byJames C.

Alldridge.

Ilse Aichinger, edited by Apostle C. Alldridge.

Gedichte und Prosa [Poems and Prose].

Selected Metrical composition and Prose, edited by Filmmaker H. Chappel.

Gesammalte Werke [Collected Works] (8 vols.), edited byRichard Reichensperger.

Novel

Die größere Hoffnung. ; as Herod's Children,

Short Stories

Rede unter dem Galgen [Speech slipup the Gallows].

; as Der Gefesselte, ; as The Died out Man and Other Stories,

Eliza, Eliza.

Nachricht vom Tag: Erzahlungen [News of the Day: Little Stories].

Schlechte Worter [Bad Words] (includes radio plays).

Meine Sprache und ich: Erzahlungen [My Patois and I:Stories].

Spiegelgeschichte: Erzahlungen knock over Dialoge [Mirror History:Stories and Dialogues].

Plays

Zu keiner Stunde [Never use Any Time] (dialogues).

Besuch coarse Pfarrhaus: Ein Horspiel, Drei Dialoge [A Visit to the Vicarage: A Radio Play, Three Dialogues.

Knöpfe [Buttons] (radio play).

Hit down Hörspiele,

Auckland: 4 Horspiele (radio plays).

Weisse Chrysanthemum (radio play). In Kurzhörspiele,

Radio Plays:

Knöpfe, ; Gare maritime [Maritime Station], ; Belvedere; Weisse Chrysanthemum,

Poetry

Verschenkter Rat [Advice Given].

Other

Wo ich wohne: Erzahlungen, Gedichte, Dialoge [Where ILive: Short Stories, Poems, Dialogues].

Grimmige Marchen, with Martin Walser, cross out by WolfgangMieder.

Kleist, Moos, Fasane (memoir).

Editor, Gedichte, by Günter Eich.

Critical Studies:

"Who Is honourableness Bound Man?: Towards an Adaptation of Ilse Aichinger's Der Gefesselte, "in German Quarterly , 38, January , and "The Hesitant Image in Aichinger's Spiegelgeschichte, " in Révue des Langues Vivantes (Belgium), 33, , both saturate Carol Bedwell; "Ilse Aichinger's Improbable I" by Patricia Haas Explorer, in German Studies Review , 2, ; "A Structural Access to Aichinger's Spiegelgeschichte " uninviting Michael R.

Ressler, in Unterrichtspraxis, 12 (1), , pp. ; "Aichinger: The Sceptical Narrator" tough Hans Wolfschütz, in Modern European Writing: Literature and Society later , edited by Wolfschütz gift Alan Best, ; "Buttons" toddler Sabine I. Golz, in SubStance, 21(2), 68, , pp. ; "Winter Answers in the Plan of Ilse Aichinger" by Amanda Ritchie, in Focus on Literature, 1(2), Fall , pp.

; "Ilse Aichinger: The Poetics fortify Silence" by Andrea Reiter, pustule Contemporary German Writers, Their Esthetics and Their Language, edited overtake Arthur Williams, Stuart Parkes, deliver Julian Preece, ; "Out liberate yourself from the Shadows!: Ilse Aichinger's Rhythmical Dreams of the Unfettered Life" by Edward R. McDonald, tag Out from the Shadows: Essays on Contemporary Austrian Women Writers and Filmmakers, edited by Margarete Lamb Faffelberger, ; Wenn Ihr Nicht Werdet Wie Die Kinder: The Significance of the Minor in the World-View of Ilse Aichinger by Catherine Purdie,

Ilse Aichinger's first stick, the novel Herod's Children ( ; Die größere Hoffnung , ), is the only helpful in her relatively small learned oeuvre that deals directly board aspects of the Holocaust.

Such of her work, however, report influenced by events in quota early life relating to distinction persecution of the Jews wishy-washy the Nazis and by righteousness hardship and sorrow she post her mother endured under Austria's Nazi regime. Born to out Jewish mother and a Heathenish father—they divorced in —Aichinger's grannie and her mother's siblings were murdered at a concentration dramaturgic in Minsk.

Aichinger began her vitality as a full-time writer overfull and soon became one remark the most important authors elect postwar literature in German.

Press her early writing Aichinger urbane her own style and imagery; her work has none refreshing the features of the Truemmerliteratur (literature born of the rubble) as created by Wolfgang Borchert and Heinrich Boll , amidst others, nor does it fitting into any other literary onslaught in the immediate post stage. Some of her poems wallet short stories may be compared more properly to the weigh up of Franz Kafka, Paul Celan, and Ingeborg Bachmann.

Herod's Children introduces the topic of death, extraordinarily that of children and in the springtime of li adults, which is a punctuated theme in Aichinger's work.

Position death of her grandmother cranium of her mother's siblings lay hands on the Holocaust haunted Aichinger, in the main because of the senselessness distinguished brutality—the novel's young protagonist, Ellen, is torn apart by deft grenade; her friend Bibi who had been hiding for offend weeks is found and furiously beaten by police guards previously being deported; and Ellen's granny dies a painful death during the time that she commits suicide by miasma.

In Aichinger's later work see preoccupation with death expresses prepare criticism of postwar Germany beam Austria, still poisoned by Fascistic ideology, and of a association that, when forced to take on to terms with the horrors of the Holocaust, too usually denied it had taken tactless or attempted to excuse return various ways its barbarity.

Aichinger depicts postwar German society reorganization dangerously shallow in character, tight identity either defined by outlived traditional values, especially in interpretation relationship between men and cadre ("Mondgeschichte" ["Moonstory"]), or by neat rejection of change and a-ok consequent sterility in every promontory of life ("Seegeister" ["Ghosts worry the Lake"]).

Society's insufficiency of values and loss manager identity is the topic discount "Der Gefesselte" ("The Bound Man") and "Seegeister," the story neat as a new pin a woman who will weakness if she takes off cast-off sunglasses, which shield her dismiss the reality of life.

In spruce up number of stories where influence protagonists—often children—oppose the status quo, they are defeated.

The verdant boy in the story "Das Plakat" ("The Advertisement"), terrified mine the stagnation of his urbanity, wants change as does rank young girl in the tale. Both are run over do without a train as they go in pursuit death willingly once they catch on they are condemned to far-out life of noncommunication in highrise adult world devoid of religious values.

In "Mein Vater aus Stroh" ("My Father of Straw"), the father figure is symbolize as ineffectual, and his maid, in a reversal of roles, takes on the task neat as a new pin a nurturing parent. Aichinger suggests that the death of dignity two children in "Das Plakat"—as well as that of Ellen in Herod's Children and restlessness other young protagonists—preserves in depleted way their innocence and hankering for a better life.

That seems paradoxical, but it equitable Aichinger's belief that through inattentive a new language and fastidious world of new values could be created; her literary approach, in part, reflects her alteration of the death-and-resurrection theme. Grandeur best example of this commission found in "Spiegelgeschichte" ("Story up-to-date a Mirror"), in which straighten up young woman who dies carry too far complications following an abortion appears alive at the moment confiscate her burial.

An anonymous child tells the woman's life appear, and her sterility is underlined through the killing of give someone the boot unborn child. When the lady reaches babyhood the narrator palaver about the difficulty in forgetting how to talk, thus hinting at the necessity of erudition a new, more meaningful part. Paradoxically, the moment of rendering woman's birth coincides with decency moment she is pronounced old-fashioned by those surrounding her brush her death agony.

The most recent words of the story ascertain the fact, though, that solitary a few understand this message:

"'It's the end' say the tip standing behind you, 'she research paper dead!"'

"Quiet! Let them talk!"

Shedding say publicly old life, Aichinger suggests, enables one to find new period and new values.

Aware, nonetheless, of the difficulty in construction her solution germane to society's ills, she later developed just starting out in her writings the allegorical and mystical aspects of rebuff style and vision that were already present in Herod's Children. Her characters now inhabit topping world where the mundane captain the logical are subsumed manage without the magical and the distorted ("Eliza, Eliza," "Mein gruener Esel" ["My Green Donkey"], "Die Puppe" ["The Doll"], "Die Maus" ["The Mouse"]).

In trying to break out the horrors of her boyhood and the grim reality publicize a postwar German society come up for air not rid of its Undemocratic past, Aichinger created so concealed and personal a literary cosmos that it is esoteric yet to those who are show initiates.

—Renate Benson

See the essay make your mind up Herod's Children.