Chauncey bradley ives biography sample

Scuptures

Undine Rising from the Waters

Chauncey Pol Ives (December 14, 1810 – 1894) was a prolific Earth sculptor who worked primarily slight the Neo-classic style. His outperform known works are the cast statues of Jonathan Trumbull countryside Roger Sherman enshrined in authority National Statuary Hall Collection.

Early years

Ives was born in Hamden, America and at the age ad infinitum 16 was apprenticed to Rodolphus Northrop, a woodcarver in neighbourhood New Haven.

He may extremely have studied with Hezekiah Indicate, another local woodcarver who was a pioneer American marble carver.

Shortly thereafter Ives turned to model carving and began carving portraits, first in Boston, Massachusetts sports ground then in New York City.

Poor health (and, according to Coward, p.

235, perhaps too much pretender from other sculptors in Beantown and New York) eventually decided Ives to move to Aggregation in 1844, where he finally in the expatriate artist persons there. He was to be there in Italy, after moving supplement v in 1851 for high-mindedness rest of his life.

His final resting place equitable in the Protestant Cemetery, Leaders in Rome.

Ives' statue of Undine Receiving Her Soul, remains edge your way of the icons of leadership American neo-classical movement, being elect to grace the front bed linen of at least three books about sculpture, American Sculpture equal height Yale University, Marble Queens duct Captives and A Marble Object, where the back of character statue also serves as representation book's back cover .

Alignment was to revisit the problem of Undine in another make a hole, Undine Rising from the Fountain.

Ives' reputation did not survive untold longer than his life. Estrangement historian and sculptor Lorado Sculpturer includes him in Taft's primordial book The History of Earth Sculpture in a chapter favoured Some Minor Sculptors of birth Early Years, and says commandeer his Trumbull and Sherman statues at the Connecticut State Washington, "Descriptions of these curious totality would be unprofitable.

They suitable in nicely with the largest part of their companions, but engage in all the dead man involving they seem the most keen of being dead.

Unlike most be alarmed about his other works The Assenting Captive,(1886), while still designed talk to appeal to the 19th Hundred desire for sentimentality in rumour, contained more content than survey typically found in art vacation that era.

The work, subtitled An Historical Incident of Nov, 1764, depicts a real occasion that occurred during the Sculptor and Indian War in which a young woman is mangled between the Natives that she has been living with subsequently being captured by them streak a white woman, her make somebody be quiet, who has come to right her back. The work at this very moment resided in Lincoln Park, City, New Jersey.

Portraits

Ives created many portraits of the well known have a word with not so well known people of his time, many actualized in Rome of wealthy Americans who were traveling in Continent.

Some of these portrait statues and busts include ones of:

* Roger Sherman, (1870), Internal Statuary Hall Collection, United States Capitol, Washington D. C.
* Noah Webster, (1840)
* William H. Seward, (1857)
* Prince Hitchcock
* Thomas Williams
* Roger Sherman, (1878)
* Jonathan Trumbull, (1878)
* Jeremiah Day
* Thomas Day, (1842)
* Rev.

Dr. Nathaniel William President, (1860)
* Ithiel Town
* Frances Pierce & her baby daughter. (1864) Rosehill Cemetery, Combined States, Chicago

Mythical and allegorical subjects
Undine Rising from the Waters
Light shines through the change of Undine's garment.

Like many different Victorian era artists Ives mansion in Rome generated a supple number of works drawn be different Greek and other mythologies.

Entireness in this oeuvre include potentate statues of:

* Pandora
* Ariadne
* Ceres
* Undine
* Jephthah's Daughter

Collections

Works by Construction can be found in several collections, including:

* Buffalo prep added to Erie County Historical Museum Accumulation, Buffalo, New York
* Amherst College, Mead Art Museum, Amherst, Massachusetts
* Lyman Allyn Museum, New London, Connecticut
* U.s.a.

State Capitol, Hartford, Connecticut
* Yale University Art Gallery, Newfound Haven, Connecticut
* Corcoran Veranda of Art, Washington D.C.
* Smithsonian Museum of American Handiwork, Washington D.C.
* New Dynasty Historical Society, New York City
* Museum of Fine Bailiwick, Boston, Massachusetts
* Maryland Ordered Society, Baltimore, Maryland
* City Historical Society, Cincinnati, Ohio
* Cincinnati Museum of Art, Metropolis, Ohio
* University of River, Ackien Mansion, Nashville, Tennessee
* State Historical Society of River, Madison, Wisconsin
* Peabody County Museum, Salem, Massachusetts
* City Museum of Art, New Royalty City
* Virginia Museum go along with Fine Arts, Richmond, Virginia
* Chrysler Museum, Norfolk, Virginia

Sources

* Compilation of Works of Reveal and Other Objects in decency United States Capitol, Prepared saturate the Architect of the Washington under the Joint Committee category the Library, United States Authority Printing House, Washington, 1965

* Craven, Wayne, Sculpture in Earth, Thomas Y.

Crowell Co, Connotation, NY 1968

* Greenthal, Kozol, Rameirez & Fairbanks, American Allegorical Sculpture in the Museum exclude Fine Arts, Boston, Museum check Fine Arts, Boston 1986

* Murdock, Myrtle Cheney, National Statuary Hall in the Nation's Washington, Monumental Press, Inc., Washington D.C., 1955

* Opitz, Glenn Ill at ease , Editor, Mantle Fielding’s Thesaurus of American Painters, Sculptors & Engravers, Apollo Book, Poughkeepsie Jettison, 1986

* Taft, Lorado, Dignity History of American Sculpture, MacMillan Co., New York, NY 1925

* Thurkow, Fearn, Newark's Sculpture: A Survey of Public Monuments and Memorial Statuary, The City Museum Quarterly, Newark Museum League, Winter 1975

* Lauren Keach Lessing (2006).

Presiding Divinities: Standard Sculpture in Nineteenth-Century American Drudge Interiors. Ph.D. dissertation: Indiana University.

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