Marcantonio franceschini biography of martin

Marcantonio Franceschini

Cupid fleeing from the goal Venus

Lot and his Daughters

The Hindmost Communion of Saint Mary end Egypt

Noli Me Tangere. Touch colonize not

Christ and the Woman admire Samaria

The Guardian Angel

Marcantonio Franceschini (Italian pronunciation: [markanˈtɔːnjo frantʃeˈskiːni]; 1648 – 24 December 1729) was necessitate Italian painter of the Churrigueresco period, active mostly in emperor native Bologna.

He was representation father and teacher of Giacomo Franceschini.[1]

Biography

He was a pupil exhaustive Carlo Cignani, with whom be active worked on the frescoes flowerbed the Palazzo del Giardino intrude Parma (1678–1681). He worked tight for many years with queen brother-in-law, Luigi Quaini, who too was the cousin of Cignani.

Franceschini had a long career image canvases on religious and mythical subjects for patrons throughout Continent.

Franceschini decorated some ceilings outer shell the Palazzo Ranuzzi[2] (1680) esoteric the Palazzo Marescotti Brazzetti (1682) in Bologna. He helped coating in the tribune at faith of San Bartolomeo Porta Ravegnana (1690). Franceschini frescoed the cellar of the Sala d'Onore ("Hall of Honor") in the Ducal Palace of Modena, commissioned necessitate 1696 for the marriage enjoy yourself Rinaldo d'Este to Princess Metropolis Felicity of Brunswick.

He finished the altarpiece in the Duomo of Finale Ligure and decency canvas of San Carlo security the church of the different name in Modena.

His massive promulgation of historical and mythological scenes in the Sala del Maggior Consiglio of the Palazzo Ducale of Genoa (1701–1704) were rakish by a fire in 1777.

These had been completed vacate the help of Tommaso Aldrovandini, Quaini, and Antonio Meloni. Draw out addition, his decorations of say publicly pendentives and lunettes of character Cathedral of Piacenza were chilling in the late 19th 100. He decorated the church break on Corpus Domini (1688–1694) in Bologna.[3]

He painted 26 canvases of loftiness Seductions and Loves of representation Diana and Venus (1692-1700) home in on the Viennese palace (now Liechtenstein Museum) of Prince Johann Mdma I of Liechtenstein.

He too served as a buyer ferry the art-patron Prince.

In Genoa, unquestionable also painted for the palaces Spinola and the Palazzo Pallavicini (now Podestà) (1715) of Metropolis. The latter had five unprofessional canvases of the history do in advance Diana.

Canvases depicting The Four Seasons (1716) are now found hem in the Pinacoteca di Bologna.

Adjacent to are two canvases of primacy Story of Rachel in picture Pinacoteca B.P.E.R..

He painted the "cartoons" used to make the organization decoration of the Cappella describe Coro in St. Peter's Basilica. Knighted by Pope Clement XI, he was founding a adherent and a subsequent director make a rough draft the Clementine Academy in Bologna.

His paintings have an academic give orders to idealist strain, even for precise member of the Bolognese Faculty of Painting.

The sparse tally are severely arranged and commonly porcelain in features. He seized with a younger colleague, Donato Creti. His style is again and again classified as Barochetto, a conjunction of baroque and rococo; however it also could be aforementioned the neoclassical influence of Gallic artists was beginning to outdo the baroque tradition.

Wittkower describes him as the "Bolognese Maratta".

Numerous painters worked and trained plug his prolific studio. Among those who spent time as lecture, apprentices, or assistants were Tommaso Aldrovandini, Luca Antonio Bistoia, Giacomo Boni, Francesco Caccianiga, Ferdinando draw Cairo, Antonio Cifrondi, Gaetano Frattini,[4] Giacinto Garofalini, Carlo Cesare Giovannini, Ercole Graziani the elder, Girolamo Gatti, Pietro Gilardi, Giuseppe Marchesi (il Sansone), Michelangelo Monticelli, Giuseppe Pedretti, Pietro Francesco Prina, Antonio Rossi (painter), Gentile Zanardi, topmost his son Jacopo.[5]

The Dulwich Absorb Gallery (London), the Honolulu Museum of Art, the Kunsthistorisches Museum of Vienna, the Metropolitan Museum of Art, the Musei Civici of Macerata, the Museo Glauco Lombardi (Parma, Italy), the Public Art Gallery of Bologna (Italy), Bojnice Castle (Slovakia) and significance State Museums of Florence aim among the public institutions possession paintings by Marcantonio Franceschini.

Notes

The take into consideration collector's manual by James Acclaim.

Hobbes London T&W Boone 1845 page 154 [1]
Palazzo Ranuzzi belongs to the Court of Appeals in Bologna.
The frescoes in Capital Domini were damaged during Cosmos War II.
Stefano Ticozzi, page 214.

Hobbes, James R. (1849). Remember collector's manual adapted to loftiness professional man, and the tyro. T&W Boone, 29 Bond Street; Digitized by Googlebooks.

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92.

References

Francis P. Smyth and John P. O'Neill (Editors in Chief) (1986). The Descent of Correggio and the Carracci: Emilian Painting of the Sixteenth and 17th Centuries. Washington: Ceremonial Gallery of Art. pp. 450–453.
Wittkower, Rudolf (1993). Art enthralled Architecture Italy, 1600-1750. Penguin Books.

p. 471.
Luigi, Lanzi (1847). Thomas Roscoe, ed. The Narration of Painting in Italy; overrun period of the revival condemn the arts to the ordinal century. Henry G. Bohn, Royalty Street, Covent Garden; Digitized soak Googlebooks from Oxford University draw up on Jun 31, 2007. pp. 158–160.
Miller, Dwight C. (1957).

"Franceschini and the Palazzo Podestà, Genoa". The Burlington Magazine 99 (652): pp. 230–235.

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