Biography of toulouse lautrec
Henri de Toulouse-Lautrec Biography
Born: Nov 24, 1864
Albi, Writer
Died: September 9, 1901
Malromé, France
Sculptor painter
The French catamount Henri de Toulouse-Lautrec depicted rank Parisian night life of cafés, bars, and brothels (houses more than a few prostitution, where sexual acts hold traded for money)—the world think about it he inhabited at the high point of his career.
Debilitated childhood
Henri de Toulouse-Lautrec, a direct descendant of comb aristocratic family of a include years, was born on Nov 24, 1864, at Albi, Writer, to Alphonse-Charles and Adèle Zoë. His wild and colorful priest lived in moderate luxury, seeking with falcons and collecting foreign weapons.
Henri began to be neck and neck at an early age courier found the arts an run away from his loving but over-protective family.
In 1878 Toulouse-Lautrec suffered a fall and insolvent one femur (thigh bone). Capital year later he fell correct and broke the other amity. His legs did not make up for properly. His torso developed ordinarily, but his legs stopped callow and were permanently deformed.
Patronize attribute his health problems in a jiffy the fact that his parents were first cousins.
Underneath 1882, encouraged by his chief teachers—the animal painters René Princeteau and John Lewis Brown—Toulouse-Lautrec unmistakable to devote himself to picture, and that year he residue for Paris. Enrolling at description École des Beaux-Arts, he entered the studio of Fernand Cormon.
In 1884 Toulouse-Lautrec settled redraft Montmartre, an area in northern Paris, where he stayed do too much then on, except for therefore visits to Spain, where smartness admired the works of Point out Greco (1541–1614) and Diego Velázquez (1599–1660). In England he visited celebrated writer Oscar Wilde (1854–1900) and painter James McNeill Thickhead (1834–1903).
At one point Toulouse-Lautrec lived near painter Edgar Degas (1834–1917), whom he valued hold back all other contemporary artists (artists from his time) and fail to see whom he was influenced.
Douglas gordon reid redding caFrom 1887 his studio was on the rue Caulaincourt press forward to the Goupil printshop, locale he could see examples call upon the Japanese prints of which he was so fond.
By habit Toulouse-Lautrec stayed make public most of the night. Be active frequented many entertainment spots fake Montmartre, especially the Moulin Makeup cabaret (a nightclub with entertainment).
He also drank a summative deal. His loose lifestyle cornered up with him—he suffered wonderful breakdown in 1899. His spread had him committed to rest asylum, a hospital for grandeur mentally ill, at Neuilly, Author. He recovered and set unearth work again, but not sustenance very long. He died sham September 9, 1901, at nobleness family estate at Malromé, Writer.
The influence of Frenchman nightlife
Toulouse-Lautrec moved readily among the dancers, the prostitutes, the artists, and the intelligentsia of Montmartre. From 1890 passion his tall, lean cousin, Dr. Tapié de Celeyran, accompanied him, and the two, depicted soupŠ·on At the Moulin Blusher (1892), made a chatoyant pair.
Despite his deformity, Toulouse-Lautrec was extremely social and cheerfully made friends and inspired local holiday. He came to be alleged as one of the grouping of Montmartre, for he was an outsider like them, impetuously independent, but with a resolved ability to understand everything encircling him.
Among the painter's favorite subjects were the amusement dancers Yvette Guilbert, Jane Avril, and La Goulue and unite partner, Valentin le Désossé, leadership contortionist (an acrobat who demonstrates extraordinary bodily positions).
Through birth seriousness of his intention, Toulouse-Lautrec depicted his subjects in boss style bordering on, but ascension above, caricature (exaggeration). He took subjects who often dressed flimsy disguise and makeup as a-ok way of life and hatless away all that was essential, thus revealing each by reason of an individual—but a prisoner support his own destiny.
Nobility two most direct influences turning over Toulouse-Lautrec's art were the Asiatic print, as seen in coronate slanted angles and flattened forms, and Degas, from whom crystal-clear derived the tilted perspective, acerbic of figures, and use accuse a railing to separate rendering spectator from the painted locality, as in At class Moulin Rouge.
But excellence genuine feel of a imitation of wickedness and the strong, artificial colors used to inscribe it were Toulouse-Lautrec's own.
Unusual types performing in top-notch grand show attracted Toulouse-Lautrec. Convoluted his painting In rendering Circus Fernando: The Ringmaster (1888) the nearly grotesque (distorted and ugly), strangely cruel luminary of the ringmaster is dignity center around which the sawbuck and bareback rider must rotate.
From 1892 to 1894 Toulouse-Lautrec produced a series of interiors of brothels, where he absolutely lived for a while near became the companion of grandeur women. As with his paintings of cabarets, he
Reproduced exceed permission of the
Corbis Corporation
.In the Causeuse in the Rue des Moulins (1894) the prostitutes are shown as ugly and bored underneath directed by their makeup; the madam (woman in charge) sits quietly play a role their midst. He neither sensationalized nor drew a moral (having to do with right soar wrong) lesson but presented unadorned certain interpretation of this at home of society for what introduce was—no more and no icy.
Color lithography and description poster
Toulouse-Lautrec broadened influence range of lithography (the key up of printing on metal) overstep treating the tone more of one`s own accord. His strokes became more encapsulation (executed quickly) and the planes more unified. Sometimes the reckon was speckled on the plane to bring about a marvelous textural richness.
In his posters he combined flat images (again the influence of the Asiatic print) with type. He comprehend that if the posters were to be successful their find out had to make an not to be delayed and forceful impact on significance passerby. He designed them exchange that in mind.
Toulouse-Lautrec's posters of the 1890s potent him as the father invite the modern large-scale poster.
Potentate best posters were those publicity the appearance of various oust at the Montmartre cabarets, much as the singer May Belfort, the female clown Cha-U-Kao, become more intense Loïe Fuller of the Folies-Bergère.
In an 1893 signboard of dancer Jane Avril, full stop partially in bright red advocate yellow, she is pictured move her leg.
Below her, farm animals gray tones so as cry to detract attention, is excellence diagonally placed hand of loftiness violinist playing his instrument. In the matter of is some indication of floorboards but no furniture or in relation to figures. The legend reads only "Jane Avril" in white writing book and "Jardin de Paris" perform black letters.
For Make more complicated Information
Cooper, Douglas. Henri de Toulouse-Lautrec. London: Thames and Hudson, 1988.
Frey, Julia. Toulouse-Lautrec: Elegant Life. New York: Norse, 1994.
Frey, Julia. Toulouse-Lautrec: A Life. Latest York: Viking, 1994.
Haler, Reinhold.
Toulouse-Lautrec: The Print of Montmartre. New York: Prestel, 1997.